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Narrative examines a wide range of narrative types, showing what systematic attention to the language can reveal about the narratives, their tellers and their audience.
- Sales Rank: #9419155 in Books
- Published on: 1989-02-23
- Original language: English
- Number of items: 1
- Dimensions: .89" h x 5.36" w x 8.48" l,
- Binding: Paperback
- 304 pages
About the Author
Michael Toolan is Professor of Applied English Linguistics at the University of Birmingham. His previous books include Text and Context: Essays in Contextualized Stylistics and The Stylistics of Fiction, both published by Routledge.
Most helpful customer reviews
11 of 11 people found the following review helpful.
Big and expensive, but very useful overview
By Gideon Haberkorn
I had the privilege of attending a one year seminar on Narrative Analysis by Professor Michael Toolan, and compared with that lively and exciting experience, the book he wrote more than ten years before seems to lack something. It seems a bit on the dry side, but that's besides the point: You are probably not going to pick up a linguistic introduction to narrative for entertainment anyway.
The book covers basic story structure (in search of a grammar of plot), time (order, duration, summary and scene - i.e. telling and showing, frequency), character, setting, focalization, free indirect discourse, sociolinguistics and more. You have to keep in mind that the approach here is linguistic.
The book does not specifically deal with film narratives - if you want to focus on that, I recommend reading Seymour Chatman's "Story and Discourse" or Bordwell and Thompson's "Film Art: An Introduction". However, even then, you might find the concepts summarized in this book helpful.
On the whole, this is a very useful introduction, though it may be tough going in places. Other books you may find useful are "Narratology - an introduction" and "Narrative Fiction".
8 of 8 people found the following review helpful.
A good book, and thorough
By Henri Edward Dongieux
Toolan gives us a complete theoretical toolbox that, indeed, contains some sharp tools with which to analyze literary narratives. It's a good introduction, and as is mentioned early on, it's both linguistic and critical. The critical aspect is the book's strength: the author neatly summarizes past research (ranging quite broadly) and argues within the linguistic field in order to set up his own complex position on each aspect of narratology. The reader leaves with a sense of depth and sophistication - Genette, Bal, Halliday are all given due treatment. In particular, the treatment of Genette is so skillfully done that readers of the French critic may well find themselves reaching, instead, for Toolan in the future.
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