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The Breaking Dawn, by Paul Rosenberg
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The Breaking Dawn begins with an attack that crashes the investment markets, brings down economic systems and divides the world into two parts. One part is dominated by mass surveillance and massive data systems: clean cities and empty minds... where everything is assured and everything is ordered. The other part is abandoned, without services, with limited communications, and shoved fifty years behind the times... but where human minds are left to find their own bearings. And from there it goes to places you've never imagined. Like the author's groundbreaking A Lodging of Wayfaring Men, this is a transformative book - it is economics, technology, theology, philosophy, social activism and derring-do, cloaked in characters whose lives you will care about; whose heart-breaks and successes you'll feel with them. While ripping the mask off power structures that struggle to control our lives, Rosenberg never takes hope from us. As hard as the journey is into true freedom and liberty, he never takes our focus off The Breaking Dawn.
- Sales Rank: #166214 in eBooks
- Published on: 2016-02-15
- Released on: 2016-02-15
- Format: Kindle eBook
Most helpful customer reviews
15 of 15 people found the following review helpful.
Which is too bad, because without that assurance
By piolenc
When I became a libertarian at the age of 16, by the simple fact of learning what the word meant and realizing that "I am one" - the liberty movement was based on philosophy. There was no alternative - libertarians were isolated and their thinking deviated from that of everybody around them. They had to be able to defend their beliefs, and philosophy was the only way.
Now that libertarianism - or something that is called that - is fashionable, there are many who call themselves libertarians who haven't had to defend their positions and who consequently aren't very clear about them. One key basis of libertarian philosophy that gets neglected is trusting in human beings as responsible creators and problem solvers and managers of their own existence. Which is too bad, because without that assurance, nobody has any basis for defending his or anybody else’s autonomy. In other words: if somebody else has to solve my problems, how can I assert my freedom? The libertarian writer who "got that" was Ayn Rand, and yet it is she whom the fashionable types on the LEFT, and now inside the "libertarian" movement, attack when they can. Philosophically she is impregnable, so these are typically straw-man and other ad hominem attacks. And I can't help remembering that she didn't call herself a libertarian - she considered most of those in the movement, even back then, immature and disoriented.
How can I start a review of a book that never mentions Ayn Rand with the above? Patience.
As a libertarian and a reader, I am always looking for and reading authors with a pro-freedom orientation, and of course I take an interest in how they handle the theme of liberty and how it affects their characters and plot. Paul Rosenberg’s non-fiction Production vs. Plunder fascinated me, because he drew a theme from history that (as far as I know) nobody else had even considered – simply viewing it as the conflict between those who produce wealth, and those who take it from them; its triumphs not the winning of battles but the victories of producers over robbers.
So when I learned that his novel, The Breaking Dawn, was available, I hastened to buy it from Kindle and download it, and began reading immediately.
It took a long time to understand why it was making me uncomfortable, nervous and disappointed. But this is why:
At first glance, it is a utopian libertarian novel. At the beginning, following two traumatic historical events, the area formerly known as the USA is divided between major cities – completely ruled by the Order, which is a tiny association of ancient dominant families – minor cities that are in contention and large areas known as the Abandons where people live more or less as they choose. At the end, everybody is free (except for a few irredeemable statists who live in enclaves where they can be themselves), everybody is essentially immortal, and the dead have been (selectively) brought back to life so that Thomas Jefferson and other worthies are living again. What could be wrong?
The devil is in the details.
One detail is the mechanism of control used by the Order. The usual police state apparatus does exist, but is used only as a last resort. The primary means of control is complete surveillance and complete control over communications media. In the novel, an individually tailored “experience” is used to shape, not only the mood but also the actions of the Order’s citizens, and the Order’s rising genius in these matters is plotting to provide “free” connectivity to the Abandons to spread the control to the entire country.
Countering this is a new religious movement called “natural Christianity” which is fuelled by the dreams of one of the protagonists in which he encounters a man dressed in white who advises and directs him.
It is this natural Christianity that impedes the spread of the order’s power, but it is their supernatural support – a set of intergalactic Missionaries working for the Father, who create an event that essentially makes the mental habits of dominators impossible for the individual having them to live with and thus turn mankind upside down – the dominators mostly dead from internal mental short-circuits and the freedom lovers, well, loving freedom. And just in case we didn’t get the point, Rosenberg has the Father’s missionaries also alter all living humans so they are immortal and start raising the dead.
So what could be wrong with that? Just this: what Rosenberg is saying is that we can’t free ourselves. In his universe, the Order can control everybody’s thoughts, its servants (the only people who are allowed guns in his novel) are robots incapable of independent judgement, and the remainder of humanity is just waiting to be taken over, free only because the Order has not yet applied its power to them.
The bottom line is: we can’t save ourselves – only supernatural intervention will free us. It’s a sad, even despairing message to get from a book that comes across as hopeful.
4 of 4 people found the following review helpful.
Scarily Realistic. Fantastical Inventions. Space Travel. Good vs. Evil. What More Could You Ask for in a Book?
By Dave Clingman, Editor
Paul Rosenberg's new book switches back and forth between the bad guys (REALLY bad guys) and the good guys. The bad guys get worse with each chapter, while the good guys sneak away to be free. The bad guys become dictators and pervert people's minds. As you might guess, however, the good guys win. But they go far beyond just winning and expand into amazing feats of technology and inventiveness (moon colony and space exploration). The book is easy reading, and the characters are truly lovable (or downright hate-able). I'm not sure how to categorize his story; it's certainly fiction but so close to real it's scary how bad people can be. But the story is also science fiction, sort of. As you can guess, I heartily recommend Mr. Rosenberg's new book. You'll be captured by it just as I was. (I actually read it twice so far.)
3 of 3 people found the following review helpful.
You must read this book
By Doug DuBosque
“The Breaking Dawn,” like Paul Rosenberg's “A Nation of Wayfaring Men,” presents compelling ideas in story form. The writing itself mostly lapses into "tell, don't show," the opposite of good fiction writing. It was work to finish reading the book.
Despite that, even if you’re a fan of Mr Rosenberg (I admit I am, and subscriber to Freeman's Perspective, highly recommended), and familiar with his thinking, this story will open your eyes more than once to possibilities, and probably also help you see more clearly how we are controlled and manipulated in our current state/State. He's a profound thinker, with profound insights worth sharing.
The central theme: strengths and weaknesses of decentralization and self-organizing cooperatives versus the centralized State. Well, sort of: the weaknesses of the self-organizing cooperatives are nonexistent. They represent anarchy, as in “hey we have no oppressors; let’s do awesome s***,” not “hey we have no oppressors, let’s form gangs and terrorize each other” — the Mad Max model.
It’s a fun romp, even as at times it seems reminiscent of French post cards from 1900 predicting life in 2000 — teenage boys jumping off buildings and highway overpasses with huge hydrogen balloons strapped to their backs (what could possibly go wrong? Paging Hindenburg on the white courtesy phone). Also, I’m a little disappointed that hemp doesn’t figure as the first crop free people would grow. Given the multitude of uses for what is arguably the most valuable plant on the planet, why would the free people in The Abandons continue to produce (genetically modified) corn, one of the main culprits of the health-destroying Standard American Diet?
The State, versus the happy and creative decentralized “Abandons," is portrayed (accurately, in my opinion) as the creation and playground of parasitic psychopaths. Though the bad guys are almost cartoonish, some might feel that Mr. Rosenberg doesn’t go far enough in exposing their depravities. But he’s not Stanley Kubrick and this isn’t “Eyes Wide Shut.” I doubt in 2016 that many thinking people consider the likes of Clintons and Bushes “good people,” but significantly fewer still want all the gory details. So, in terms of popular appeal, best to steer clear of __________ and ___________. And _____________.
However, also considering popular appeal, and the nature of book publishing in 2016, the cover for “The Breaking Dawn” is inexcusably amateurish. The scantily-clad hunky guy looks like something from a cheap romance novel (though in that case his codpiece would probably at least be accurately positioned), the typography simply horrible, and the clumsy symbolism of the skull on the ground sophomoric. As in high school, not college, sophomoric. (Which is not to say the cover couldn’t be worse: they could have used Comic Sans MS!) I think it's trying to evoke Ayn Rand. Major fail.
Regardless: if you’re a fan of Paul Rosenberg and not visually sensitive, I don’t have to tell you, because you’re already reading the book, tacky cover or not. If you’re a fan and, like me, can’t believe someone as sophisticated as Paul Rosenberg could be so clueless, get over it. You must read this book.
For anyone else, I hope this feedback might have triggered the expenditure of a few hundred bucks for a professionally-designed book cover, and you’re now scratching your head over my comments about it. (Yes, changing ebook covers is as simple as a few mouse clicks. Trust me. I’ve done it.)
And for anyone else, given any interest in opening your eyes and broadening your perspective, you must read this book.
Have I said that already?
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